Thursday 11 January 2007

Thank you Manoj

8 January

Manoj - from driver to friend in 17 days.


Thank you so much for sharing your beautiful Rajasthan with us (and your home and maharanis!!)


You were fantastic and so is Travel Made Easy.


Travel made Easy


109 - Kamal Complex, Opp. Gulab Bagh,Udaipur, 313001 Rajasthan. India


Tel: +91-294-3290228Telefax: +91-294-2412081


Email : info@travelmadeeasy.in

Sun sets on the holiday


The lake in Jaisalmer


7 January 2007
Gadsisar Lake is a rain water lake built by the Maharawal Gadsi in the 4th centuryand was the main source of water for the entire town.
There are may small temples and shrines around it and a wide variety of water birds can be seen here esecially in winter. The beautiful gateway which arches across the road leading down to the take was built by a royal courtesan named Tillon at the end of 19th century - Tillon Ki prol (Gate of Tillon).
The God Vishnu’s statue was installed in1908 by the courtesan and declared a Krishna Temple to save it from demolition by the then Maharawal.

A man's best friend?


6 January 2007

Australia batting against India in Jaisalmer


Village with a difference - Bishnoi



4 January 2007

For centuries, the Bhil and the Bishnoi cultures have coexisted in the Rajasthan desert of central India. Though they live diametrically opposed lifestyles and have vastly different philosophies, they are drawn together by a bond much stronger than their differences: the struggle to survive in this harsh and unforgiving land.


The name “Bishnoi” (“Twenty-nine”) represents the number of principles espoused by their prophet, Lord Jhambheshwar. Despite being born a Khstriya, the second highest Hindu caste, he disapproved of the caste system and created a classless community into which all were accepted. The only requirement was to live by his 29 life principles including no killing or eating of animals, no cutting down of living trees and no alcohol consumption.


It is said that Lord Jhambheshwar attained saintly enlightenment while meditating beneath a tree in a place that would later become the village of Jhamba. There, where he discovered a water source that rescued his people from a 20-year drought, he established his ideal community, a society of people living in harmony with each other and with their environment. Many of the rules he imposed are still followed today.


Equal appearance was one of Lord Jhambheshwar’s principles. Believing that it would prevent jealousy and promote peace, he instituted a policy of uniformity that is still followed today. All women wear very bright, predominantly red saris of patterned cloth and adorn themselves with nose rings, bracelets and anklets. Men wear basic white clothes representing simplicity and modesty.


Among the Bishnoi, young married couples must settle on bare land and make it arable by digging wells, planting millet and cultivating other vegetation. The prophet Jhambheshwar preferred a proactive philosophy of agricultural development to a passive approach to the environment.

Although the Bishnoi are renowned for dedication to their faith, one incident in particular ensured their place in modern Indian history. In 1847, the Jodhpur king sent his army out to cut trees to build his palace. When his army started to log a Bishnoi forest, they staged a non-violent protest, offering their bodies as shields for the trees. The army’s axes killed 363 before the king, hearing of their courage, halted the logging and declared the Khejarli region a preserve, off limits for logging and hunting.


The Bishnoi eat remarkably well despite the harsh desert environment and the strict rules by which they live. During the monsoon season, they grow millet, which is then ground into flour for their staple food, chapattis. Sangari, the small, bean-like fruit of the khejadi tree, is dried and mixed with the berry of the kair, a desert bush. Chapattis, sangari and kair berries are the staples at most meals, frequently supplemented with butter and yogurt, delicacies from the few cows that Bishnoi families raise.


July and August, the monsoon season, usually brings rain to the Rajasthan desert. In a good year, the harvest season extends through October and the generous yield will feed a family for up to two years. Sometimes, rain may even fall in the off-season, allowing the Bishnoi to also grow barley. The threat of extended drought always hangs heavy over the region, forcing the inhabitants to plan far ahead to survive on their reserves of food and water.


Both vegetation and fuel for fires are scarce in this arid region. In accordance with their principles, the Bishnoi never cut living trees for firewood or building materials. Instead, they rely entirely on the scarce, dry, dead wood they find and much of their fuel for cooking comes from dried cow and water buffalo dung.

Numerous traditions and rules of social conduct have been combined with the original principles that guide Bishnoi lives. The most significant of which arose in the original Jhamba village soon after the death of the prophet. Each year, the people chose a man they called shaand, or breeder: a strong young man in his early twenties, handsome, intelligent and a prototypical specimen of their race. His duty was to breed with the women to improve the genetic stock of the entire ethnic group. Instead of wearing traditional mojari leather shoes, the shaand was known by his wooden karau. It was a great honor to be chosen by the shaand, who would leave his karau outside the home as a sign that no other men were welcome. Although being chosen as the shaand was glorious, it was a short-lived honor with an abrupt end: every year, a new shaand was chosen and the outgoing one was sacrificed. This tradition ended in the1920’s, doomed by both modernization and the increasing desertion by shaands in the last weeks of their tenure.


Although the shaands are gone, the traditional annual celebration in honor of Lord Jhambheshwar is still observed on the first night of the new moon in the month of Chetry, two weeks after the Holy Indian National Festival. Thousands of people make the pilgrimage to the remote desert village to drink the salty water from the sacred source, believing it will cleanse them of all their sins.


Other Bishnoi beliefs have their roots in more modern traditions. Most Bishnoi people, converted Hindus, still believe in reincarnation and their main objects of veneration are the gentle antelope, revered as returned dead ancestors. Antelope are frequently seen in large numbers near Bishnoi millet plantations and irrigated land—a scenario that has become the crux of an oddly symbiotic and contentious relationship with their neighboring ethnic group, the Bhil.

The Bhil people are highly skilled desert hunters; the art of hunting has been in their blood for many centuries. Although the government now forbids hunting, the Bhils secretly preserve their culture by venturing out at night to kill birds, rabbits and lizards with their hunting sticks. Their favorite target is the bountiful antelope population, prized for its plentiful, high-quality meat. Among the poorest people in India, few Bhil people own rifles or those who do can’t afford the licenses or bullets. They fill rifles leftover from their mercenary work with black powder, stones and glass debris and hunt under cover of darkness.


Even more offensive to the Bishnoi than their stalking of antelopes is the Bhils’ attitude towards trees and vegetation. The Bhil flaunt Bishnoi taboos by cutting trees to fuel their fires, build their houses, and most importantly, to provide materials for basket making, especially the green wood of the precious arana tree.

Over the centuries, the Bhil have become semi-nomadic, offering their services to kings and maharajas as mercenaries and soldiers for hire. As the era of warring maharajas and kings came to a close in the early 20th century, the Bhil lost their only source of income and were forced to adopt a different way of life. Since then, they have settled in rural villages where they live from hunting and limited herding.


In recent decades, more and more Bhil people have settled next to Bishnoi communities, drawn to the few places with dependable sources of water and game. Unlike the Bishnoi, they have never farmed—their legacy for centuries has been their merit as fierce warriors on the field of combat.

Bhil people practice the Sonatan religion, a form of Hinduism. Although they do not use the Hindu veda book, they pray to the same gods and worship cows. They venerate the prophet Bhapuji, a 15th century warrior known for his courage, and honor him once a month during a full moon celebration called Jagaran. Women are not allowed to attend these celebrations where male drummers called bhoppas play and sing all night to accompany the men as they dance around a large fire.


In contrast, Bhil women are dominant when it comes to marriage. Marriages are always arranged and treated as a business agreement. Yet in this case, the negotiations are reversed. Bhil families do not pay a dowry to marry off their daughters; men outnumber women. It is the men who must pay 10 goats (about $100) for the right to marry an eligible woman! Every year during the July to August Full-Moon Day Fair, young men compete for the honor of marrying some of the wealthiest young women.


Bhil men fervently protect the women in their families. No outside men are allowed in a family’s house unless the women’s male relatives invites them to enter. Men do not talk to women without permission from a man of the family. Women do not attend night celebrations to avoid male dancers who may get drunk and overly zealous. The overt practices of modesty begin at puberty. Most young married women must keep their faces covered all day, especially in the presence of their in-laws. Only women with grown children can be seen without a veil.


Water dominates the lives of all who dwell in Rajasthan. Both Bishnoi and Bhil women often walk long distances through the desert, returning to their mud and dung huts with jugs of water on their heads there is so little water that people wash their dishes using sand and only a cup or two of water suffices to wash their faces and hands in lieu of bathing. Recently, the region has suffered through a three-year drought that has devastated crops and caused widespread deaths of both livestock and wildlife. With wells drying up and people starving, communities have been forced to rely on aid from welfare organizations and the government just to survive.

Today, larger populations and more defined private property boundaries are putting pressure on the Rajasthan desert dwellers. Years of drought have also brought additional hardship. As Bishnoi and Bhil communities are forced to live closer to each other permanently, conflicts are starting to emerge. The future of these people may depend upon NGO support: education may be the best way for them to voice their need for their ancestral land and rights while learning to live in harmony in a shrinking space offering fewer and fewer resources.

The Invincible Fort at Jodhpur


4 January 2007
The majestic Mehrangarh Fort is one of India's largest forts and located in the picturesque city of Jodhpur. The work of building the fort originally commenced in 1459 on the behest of the founder of Jodhpur - Rao Jodha but much of the fort as it stands today was built in the era of Jaswant Singh.
This magnificent fort is spread over 5 kms. and is located on top of a hill which is all of 125 meters high. To honor and memorialize momentous triumphs there are three stately gates to the fort. Once inside the fort visitors can't help marveling at some astonishing palaces which are a living testimony to the high standard of craftsmanship prevalent in those days.
The Moti Mahal which is made of elaborately carved stones is the dwelling place of the royal throne of Jodhpur which is popularly referred to as the Sringar Chowki in local parlance. There is also the majestic Umaid Villas that showcases some remarkable Rajasthani miniature art work.
The Ajit Villa is conspicuous with its rich collection of musical instruments and regal attires while the gorgeous Phool Mahal is where the legendary Jodhpur Coat of Arms is preserved. The parapets of Phool Mahal are adorned with exquisite art works portraying various melodious scenes. For some bravado, one doesn't need to go far. There is the well preserved Maan Villas which exhibits the arsenal and weaponry of the house of Rathores.
The intriguing Tent Room is fabulous which has distinct Mughal features. Legend has it that it was once used by Mughal emperor Shah Jahan. The tent is richly embroidered with gold and is literally a treat to the eyes. Mehrangarh fort has never ever been seized. The invincible fortifications are six meters thick. Some of the walls still bear cannon marks and today this magnificent Jodhpur fort is a living testimony that recounts the chronicles and legends of Jodhpur's rich past.

The Blue City



3 January 2007

Jodhpur, the second largest city of Rajasthan, at the edge of the Thar desert was once the capital of the Marwar state. It was founded in 1459 A.D. by Rao Jodha-chief of the Rathore clan of Rajputs who claimed to be descendants of Rama - hero of the epic 'Ramayana'.

The city dominated by the massive Mehrangarh fort on a rocky hill is charming with its wealth of historic attractions and colourful markets which specialises in antiques. It is still one of the leading centres of wool, cattle, camels and salt.

The Jain Temple - Ranakpur


3 January 2007
Ranakpur is named after Rana Kumbha whom Dharna Sah, a Jain businessman, approached when he had the vision of his great temple to ask for the land for its construction. Renowned for some marvelously carved Jain temples in amber stone, Ranakpur is one of the five holiest places of the Jain community and exceptional in beauty. Situated at a distance of around 60 km from Udaipur, these temples were constructed in the AD 1439.
The Ranakpur Jain Temple was built during the reign of the liberal and gifted Rajput monarch Rana Kumbha in the 15th century. The basement is of 48,000 sq. feet area that covers the whole complex. There are four subsidiary shrines, twenty-four pillared halls and domes supported by over four hundred columns.
The total number of columns is 1,444 all of which are intricately carved with no two being alike. The artistically carved nymphs playing the flute in various dance postures at a height of 45 feet are an interesting sight. In the assembly hall, there are two big bells weighing 108 kg whose sound echoes in the entire complex. The main temple is a Chaumukh or a four-faced temple dedicated to Adinath.

Kumbhalgarh Fort


Located 64 kms north of Udaipur in the wilderness, Kumbhalgarh is the second most important citadel after Chittorgarh in the Mewar region. Cradled in the Aravali Ranges the fort was built in the 15th century by Rana Kumbha. Because of its inaccessibility and hostile topography the fort had remained un-conquered. It also served the rulers of Mewar as a refuge in times of strife.


The fort also served as refuge to the baby king Udai of Mewar. It is also of sentimental significance as it is the birthplace of Mewar's legendary King Maharana Partap.The fort is self-contained and has within its amalgam almost everything to withstand a long siege. The fort fell only once that too to the combined armies of Mughal and of Amber for scarcity of drinking water. Many magnificent palaces an array of temples built by the Mauryas of which the most picturesque place is the Badal Mahal or the palace of the clouds.


The fort also offers a superb birds view of the surroundings. The fort's thick wall stretches some 36 kms and is wide enough to take eight horses abreast. Maharana Fateh Singh renovated the fort in the 19th century.

The Lake Palace Udaipur


2 January 2007
The Taj Lake Palace, located in the middle of Lake Pichola is a dream of white marble and mosaic glistening in the moonlight, very reminiscent of the most beautiful tourist cliché in the world; the Taj Mahal.
Conceived in romance, the palace was built in 1746 by Maharana Jagat Singh II, 62nd successor to the royal dynasty of Mewar – believed to be descendants of the Sun God.
Set against the backdrop of the majestic Aravalli Mountains on one side of the lake, and lofty palaces on the other, the Taj Lake Palace spreads across a four-acre island – an almost surreal vision in marble. The Royal Butlers descendents of the original palace retainers look after all contemporary comforts and ensure that all guests are treated like Royalty.

The Birthday girl


2 January 2007


A highlight of the trip. Time with the "special Maharani" aka daughter of our driver Manoj, on her third bithday.

Wednesday 10 January 2007

Rural Rajasthan


2 January 2007
Rajasthan according to the 2001 census has a population of 56.5 million.

Rajasthan has a large indigenous populace Minas (Minawati) in Alwar, Jaipur, Bharatpur, and Dholpur areas. The Meo and the Banjara are travelling tradesmen and artisans. The Gadia Lohar is the Lohar meaning ironsmith who travels on Gadia meaning bullock carts; they generally make and repair agricultural and household implements. The Bhils are one of the oldest peoples in India, inhabit the districts of Bhilwara, Chittaurgarh, Dungarpur, Banswara, Udaipur, and Sirohi and are famous for their skill in archery. The Grasia and nomadic Kathodi live in the Mewar region. Sahariyas are found in the Kota district, and the Rabaris of the Marwar region are cattle breeders.
The Oswals hail from Osiyan near Jodhpur are successful traders and are predominately Jains. While the Mahajan (the trading class) is subdivided into a large number of groups, some of these groups are Jain, while others are Hindu. In the north and west, the Jat and Gujar are among the largest agricultural communities.
The Gujars who are Hindus dwell in eastern Rajasthan. The nomadic Rabari or Raika are divided in two groups the Marus who breed camels and Chalkias who breed sheep and goats.

The Muslims form less than 10% of the population and most of them are Sunnis. There is also a small but affluent community Shiaite Muslims known as Bhoras in southeastern Rajasthan.

The Rajputs though represent only a small proportion of the populace are the most influential section of the people in Rajasthan. They are proud of their martial reputation and of their ancestry.

Rural Rajasthan


2 January 2007

Rural Rajasthan


2 January 2007

Rural Rajasthan


2 January 2007


Monday 1 January 2007

The City Palace Udaipur


The majestic white City Palace located in the heart of Udaipur, was originally built by Maharana Udai Singh of the Sisodia Rajput clan and extended to its present form by subsequent Maharanas. Built in granite and marble and surrounded by crenellated fort walls, the largest palace complex in Rajasthan stands on a crest overlooking the Pichola Lake.

A blend of Medieval European and Chinese architecture, the palace complex has a number of remarkable buildings of immense beauty, gardens and fountains, well planned and finely executed over the years. The palace complex is approached through the 'Hati Pol', or the 'Elephant Gate' from the main road. The biggest and most beautiful temple of Udaipur the Jagdish Temple (1651A.D), dedicated to Lord Vishnu is situated here. The 'Bara Pol' the 'Great gate' (1600A.D) on the northern end leads to the first court yard, which joins Tripolia or the 'triple gate'(1725 A.D). Between the two gates there are eight carved marble arches or 'Toranas' under which the rulers in the past were weighed against gold and silver, the value of which was then distributed to the poor. Beyond the Tripolia there is an arena where elephant fights were staged. The palace looks rugged from the exterior but inside, the path leads to many enclosures with luxurious apartments surmounted by balconies, hanging gardens, massive octagonal towers and cupolas with breathtaking views over the lake and the city from the upper terraces.
The oldest part of the palace is 'Raj Aangan' (Royal Courtyard-1571) which Maharana Udai Singh built in the 16th century. The main part of the palace with its several ' Mahals' is now preserved as a Museum. Almost all the rooms of the palace have beautiful paintings, inlay glass work, antique furniture and colourful enamel. The 'Krishna Vilas' has a remarkable collection of miniature paintings depicting royal processions, festivals and games of the Maharanas. 'Mor Chowk' has unique glass mosaics of peacocks, set in the walls showing the three seasons: summer, winter and monsoon. The 'Manak Mahal' ( Ruby Palace) has crystal and porcelain figures. 'Bhim Vilas' with Radha Krishna stories painted on the walls has a glass mosaic gallery the 'Suraj Gokhala', with beautiful stained glasses and a panoramic view of the city below. The 'Zenana Mahal', the queen's quarters to the south and the 'Dilkusha Mahal' (Palace of Joy) has frescoes and wall paintings while the 'Laxmi Vilas Chowk', an art gallery, houses a distinctive collection of Mewar paintings.

The 'Chini Chitrashala' is famous for its Chinese and Dutch ornamental tiles, the latter of which has depiction of Biblical scenes including the flight to Egypt. The Moti Mahal( Palace of Pearls) has lavish decor and the Sheesh Mahal (Palace of mirrors) has inlaid mirror work. There is a Hawa Mahal and a Bari Mahal with a fine garden build on a 90 feet high natural rock formation. The Amar Vilas, the highest point has exquisite hanging gardens with fountains, towers and terraces and a majestic view of the town and Lake Pichola.

New Year's eve with the Maharana


A beautiful setting to see in 2007 and a very special guest: Maharana Shri Arvind Singh Mewar.


Jag Mandir in Lake Pichola was constructed by Maharana Karan Singh as a hideout for Prince Khurram the estranged son of Emperor Jehangir the implacable foe of the Maharana. The reason for the aid was that the prince was the son of a Rajput mother. It is also said that Shah Jahan [prince Khurram] derived some of these ideas for the Taj Mahal from this palace when he stayed there in 1623-24. The island has some striking carving including a row of elephants that looks as though they are guarding the island. The exquisitely carved chhatri in grey and blue stone is another example.


Maharana Jagat Singh who made a number of additions to it later renovated the place. Within the palace was the temple dedicated to the Lord Jagdish and hence the name is derived from that. There is a museum detailing the history of the island as well and the neat courtyards.